Untitled 1969 Graphicstudio
Period: 1960s
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![The Sound — Wes Wilson [WESWIL.4]](https://srfa.com/wp-content/uploads/2026/08/bill-graham-the-sound-wes-wilson-1966-1-of-1.jpeg-scaled.jpg)
The Sound — Wes Wilson [WESWIL.4]
Bill Graham Presents BG-29, first (black ink only) printing. For a run of concerts at Winterland (Fri./Sat., Sept. 23-24 and 30-Oct. 1) and two Sunday afternoons at the Fillmore Auditorium (Sept. 25 and Oct. 2), 1966, featuring Jefferson Airplane, Muddy Waters, and the Paul Butterfield Blues Band. Signed “Wes Wilson ’66” within the design. Considered one of the most iconic images of the 1960s psychedelic poster movement, pairing Wilson’s Art Nouveau-influenced lettering with a nude female figure at center.
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![The Quick and the Dead — Wes Wilson [WESWIL.1]](https://srfa.com/wp-content/uploads/2026/08/wilson-wes_quick-and-the-dead-grateful-dead-quicksilver-avalon-ballroom_1966-scaled.jpg)
The Quick and the Dead — Wes Wilson [WESWIL.1]
Family Dog FD-12. Grateful Dead & Quicksilver Messenger Service, Avalon Ballroom, June 10-11, 1966. First Family Dog poster to place a skull at the center of a Grateful Dead bill.
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![Billie Holiday — Sam Smidt [SAMSMI.3]](https://srfa.com/wp-content/uploads/2026/08/billie-holiday-poster-jazz-collectors-series-sam-smidt-1967-1-of-1-scaled.jpeg)
Billie Holiday — Sam Smidt [SAMSMI.3]
A magenta-toned portrait of Billie Holiday from Sam Smidt's 1967 Jazz Collectors Series (Palo Alto), completing the set of three jazz portraits in this collection alongside Miles Davis and Duke Ellington.

